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Reproduction du tableau Rive nord du Grand lac des Esclaves et vue vers la mer depuis l'île de Montréal Charles Hamilton Smith Florence transforming the Festival of the transforming the Festival of the Gods canvas into an elegant focal point without sacrificing the softness of the decor close to the Impressionists through chromatic freedom and fidelity to the moment à la fois poétique et réaliste tels que les reflets dans l'eau et les textures des arbres
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